Video and Installation

My video installations invite a conversation between a physical space and a person's inner world. I create an immersive, temporal study of my sculptures, focusing on the steps it takes to bring a work to life. This process brings the sculptures' subtle textures and physical reality into a time-based virtual form, revealing the dynamic journey behind the finished work's static nature. Each piece becomes a symbolic gesture to our own unfolding identity—a meditation on movement, choices, and the raw materials that shape us. I use this straight-ahead approach to invite viewers into a meditative space where they can reflect on how they tell themselves their own story.

An art exhibit featuring a white mannequin with no arms or face, sculptures of hands, mouth and portrait suspended from pipes, clay feet sit on the ground. On the white wall in the background is a tv screen showing an abstract clay sculpture.
Three large black and white projections displayed side by side showing different perspectives of a clay portrait.

This series, influenced by the precise yet abstract language of 3D printing and scanning, explores the genesis of being. Mirroring the neutral shades of gray in unrendered space of 3D software, these fragmented forms emerge from a black void, representing the absent space of potential. While grounded in the physical touch of clay, where every fingerprint speaks to its tactile origin, the work is deliberately framed and shot to exist in a virtual realm, bridging the intimate reality of material with the boundless abstraction of digital creation.

plaster, clay, cement, video. 2024

EzrA

A black-and-white sculpture of a hand, made from what appears to be clay or similar material, with detailed fingers and palm, set against a dark background.
Black and white photograph of a classical sculpture bust of a person's head resting on a wooden surface against a plain background.

Render Tiles

clay, wood, video. 2024

Visually inspired by render tiles in 3D programs sampling specific regions of a scene and leaving the rest absent.

Black and white Muybridge 3D rendering of a man playing the violin with video reference of another man on the back wall of the 3D space.
An old-fashioned violin with parts separated and strings visible, placed on a dark surface.

Chet

16mm film. 2017

Chet explores how we construct an idea of a loved one only through other’s memory. the idea you’re given. The installation space is divided in half. On one side of a dividing wall, I loop a silent 16mm film. On the other side, a cellist performs. The film is a digital animation converted into 16mm and resembles a Muybridge study. The movement is a subject, digitally sculpted, holding a violin and preparing to play. The film cuts just before he begins to play. While watching the silent film, the viewer can hear the cellist perform through the wall.

Black and white muybridge-style images of a person, showing different stages of playing a violin
A woman playing a cello in a dimly lit room with a single spotlight focused on her.
A person watching a movie or film in a dark room on a chair, with a film projector and a screen in the background.